• Sunstruck

    contains archival photographs and writing triangulating land and seasickness, the horizon line, and the language of distance and desire. Including a 1,000-word essay, 49 figures spanning 1916 to 2018, and notes on provenance, Sunstruck engages the physiological nature of disorientation while calling into question the mutability of time, photography, and sight.



    2018-19

    Somewhere else, digital offset broadsheet on newsprint, edition 150, 2019


    Absent-present ground, digital image from FP-100c film on panel, newsprint broadside on wood & screen prints on panel, 2018-19
    Past-present ground, digital image, 2019-20
    Absent-present ground (you were always somewhere else), screen prints on panel, 2018
    Always already repositioned, digital image from FP-100c film on panel, 2019
    For Seasickness (every love has its landscape), screen prints with mica powder on stonehenge & archival photograph, 2018
    From [this moment of] time, archival inkjet print from FP-100c film & risograph, 2018
    [ ] plunges [ ] head into the clouds, screen print on stonehenge, 2018
    Sunstruck, archival photograph, 2018
    For Seasickness (every love has its landscape) [detail], 2018
    Seasickness (part three), archival inkjet print from FP-100c film, 2019
    Seasickness (part two), archival inkjet print from FP-100c film, 2018
    This wasn’t meant to hurt you, neon, 2019
    Seasickness (part one), archival inkjet print from FP-100c film, 2018
    The rest is missing, archival inkjet print from FP-100c film & risograph, 2018
    To find one's own shore, archival inkjet prints from FP-100c film & risographs, 2018-19
    Always already, dye diffusion transfer print, 2019





    Sunstruck, singer-sewn softcover with essay insert, digital offset, 11.5 in. x 8.25 in., edition 100, 2019

    Research includes A Historical View of Motion Sickness—A Plague at Sea and on Land, Also with Military Impact, Doreen Huppert, Judy Benson, and Thomas Brandt (US National Library of Medicine National Institutes of Health: Frontiers in Neurology [published online], 2017).

    Special Collections include the Joan Flasch Artists’ Book Collection at the School of the Art Institute of Chicago, Olin Library at Wesleyan University, Fine Arts Library at Harvard University, the Carter Library at the Amon Carter Museum of American Art & the Artists’ Book Collection at Emily Carr University of Art + Design.
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