EVERYTHING I’VE EVER LOVED
considers Orange County, California's history of landholdings, subdivisions, conservatism, and underrepresented narratives through the lens of a mixed-race Chicana and a transracial adoptee.
Situated in the double lens of otherness inherent to adoption and multiracial experiences, Everything I’ve Ever Loved responds to the relationship between home, place, and belonging as a multimedia autoethnography. The project examines how location and belonging shape racial imaginaries, encoded through a veiled understanding of self, distinct to transracial adoption, and informed by place-based racism. Everything I’ve Ever Loved utilizes research and archival materials, including photographic negatives from the 20th century, combined with the iconography of the Valencia orange, a symbol for the County's name and an icon of migrant labor in its farmlands, contrasted by image-making from regional locations, parklands, coastlines, and neighborhoods that comment on the preservation of 'natural' land within the southernmost part of the County; these areas of focus are comprised of print and lens-based media and moving images to create soft, often obfuscated points of view, dislocating subjects and highlighting details of plant life and textures from Orange County's landscape.
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2019-2025 (ongoing)
Research conducted at the University of California, Irvine’s Orange County & Southeast Asian Archive Center, and the Orange County Archives.
Project support provided by the Lower East Side Printshop Keyholder Residency (2023-24), the Virginia Center for Creative Arts Fellowship (2023) & TILT Institute for the Contemporary Image Artist-in-Residence Program (2021).


![Wintering (-87), archival inkjet prints on Hahnemühle Photo Rag Metallic, 13 x 19 in. each [diptych], 2022](https://freight.cargo.site/t/original/i/4453754c3a393334683eb2b9c56ee36b6d85216919593c6badc32a8c6c342655/5-Wintering--87_2022.jpg)











Everything I've Ever Loved, screen print & Risograph folio, 10.25 in. x 14.5 in. each, 2023-24


And/both, Sol Mednick Gallery, University of the Arts, 2022











Super 8, black & white, silent, 2:25 min, 2022






For all its beauty and its transgressions, 2021
Archives Reimagined, four-person exhibition, TILT Institute for the Contemporary Image, 2021
Archives Reimagined, four-person exhibition, TILT Institute for the Contemporary Image, 2021
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Stratagems (an overture), softcover saddle-stitch, 5-color Risograph book, 36 pages, 10.25 in. x 7.25 in., second edition 75, 2023
Image Descriptions
1 Stratagems (Relocations), dye diffusion transfer prints from FP-100c film, 4.25 in. x 3.25 in. each, 2021
2 Stratagems (Tuna), dye diffusion transfer print from FP-100c film, 3.25 in. x 4.25 in., 2021
3 Stratagems (Relocated), dye diffusion transfer prints from FP-100c film, 4.25 in. x 3.25 in. each, 2021
4 Stratagems (Alta), dye diffusion transfer print from FP-100c film, 3.25 in. x 4.25 in., 2021
5 Stratagems (Seaview II), dye diffusion transfer print from FP-100c film, 3.25 in. x 4.25 in., 2021
Exhibition documentation by Haigen G. Pearson at TILT Institute for the Contemporary Image & University of the Arts.